Queen and Philosophy: Guaranteed to Blow Your Mind is a collection of cutting-edge philosophical essays on the rock group Queen, founded in 1970 and originally featuring lead vocalist Freddie Mercury. Queen's reputation and fan following continue to grow in the twenty-first century. These insightful and provocative chapters include: uncover the origins of Queen's unique style in prog rock, vulgarity, and lower versus higher Romanticism examine Queen's view of love, friendship, and erotic relationships draw upon three timeless Queen songs, "We Will Rock You," "We Are the Champions," and "Don't Stop Me Now" and Socrates's behavior in the Apology, to understand the "rocking" nature of philosophy identify the connections between ancient matriarchal religion and Queen's love for strong female imagery explore how Brian May's astrophysics brings to bear the issues of absolute versus relative spacetime and how the philosophies of Newton, Mach, and Einstein contribute to Queen's creative output analyze the structure of Queen's sound to answer the inevitable question, How can four people make all that music? expose what Queen's songs tell us about the contemporary theory of mental illness and therapy scrutinize Roger Taylor's stark impressions of ordinary life and death, and their alignment to the cynical musings of Diogenes of Sinope and Seneca's blunt observations on the shortness of life look at the movie Highlander through the music of Queen and reveal how both song and cinema convey the philosophy of bushido, the soul of the samurai

The Quantum of Explanation advances a bold new theory of how explanation ought to be understood in philosophical and cosmological inquiries. Using a complete interpretation of Alfred North Whitehead's philosophical and mathematical writings and an interpretive structure that is essentially new, Auxier and Herstein argue that Whitehead has never been properly understood, nor has the depth and breadth of his contribution to the human search for knowledge been assimilated by his successors. This important book effectively applies Whitehead's philosophy to problems in the interpretation of science, empirical knowledge, and nature. It develops a new account of philosophical naturalism that will contribute to the current naturalism debate in both Analytic and Continental philosophy. Auxier and Herstein also draw attention to some of the most important differences between the process theology tradition and Whitehead's thought, arguing in favor of a Whiteheadian naturalism that is more or less independent of theological concerns. This book offers a clear and comprehensive introduction to Whitehead's philosophy and is an essential resource for students and scholars interested in American philosophy, the philosophy of mathematics and physics, and issues associated with naturalism, explanation and radical empiricism.

The Quantum of Explanation advances a bold new theory of how explanation ought to be understood in philosophical and cosmological inquiries. Using a complete interpretation of Alfred North Whitehead's philosophical and mathematical writings and an interpretive structure that is essentially new, Auxier and Herstein argue that Whitehead has never been properly understood, nor has the depth and breadth of his contribution to the human search for knowledge been assimilated by his successors. This important book effectively applies Whitehead's philosophy to problems in the interpretation of science, empirical knowledge, and nature. It develops a new account of philosophical naturalism that will contribute to the current naturalism debate in both Analytic and Continental philosophy. Auxier and Herstein also draw attention to some of the most important differences between the process theology tradition and Whitehead's thought, arguing in favor of a Whiteheadian naturalism that is more or less independent of theological concerns. This book offers a clear and comprehensive introduction to Whitehead's philosophy and is an essential resource for students and scholars interested in American philosophy, the philosophy of mathematics and physics, and issues associated with naturalism, explanation and radical empiricism.

A lot of thought goes into making Hollywood films and television series. The best artists of the twentieth century chose this medium over the arts they would have practiced in previous centuries --the painters, sculptors, writers, musicians, actors, and most of all the director, the master auteur, packed up their gear and went west. As time has gone on, television and movie-making converged into one huge canvas for all that creative thinking. Let's think about some of the best things that got thunk in the last hundred years, see if we can uncover the deeper layers of that thinking and sling a little philosophy at the screen.

One of the world's most influential logicians, Jaakko Hintikka is a leading figure on the international philosophical scene. Here, he responds to his critics. The 27 critical and descriptive essays in this book, written by important scholars from a variety of fields, challenge Hintikka's innovations in philosophy, logic, and linguistics. His replies, and the essays themselves, all previously unpublished, form a lively, provocative exchange of ideas. Also included is an intellectual autobiography and a complete bibliography of Hintikka's writings.

Richard Rorty was a seminal figure in philosophy, transforming the discipline during the last quarter of the 20th century and setting it on a new path for the 21st. An early, implacable critic of the widespread preoccupation with questions of truth, representation, and the foundations of knowledge, Rorty promoted a new type of philosophical pragmatism with great persuasive power, and many have credited him with inspiring the renewed interest in the thought of classical American philosophy, especially his hero John Dewey. Always controversial, Rorty's books and essays were read as carefully by his critics as by his admirers. This book includes in its nearly 1,000 pages Rorty's intellectual autobiography, 29 previously unpublished critical and descriptive essays by famous scholars, Rorty's replies to most of them, and a complete bibliography of his published works. Since Rorty passed away in 2007, his contributions to this volume have a special importance as among his final writings.

From the bedtime story by L. Frank Baum to the classic 1939 film, no story has captured the imaginations of generations of children -- and adults -- like "The Wizard of Oz." The story of Dorothy's journey through Oz, the colorful characters, places, songs, and dialogue have permeated popular culture around the world. The contributors to this volume take a very close look at "The Wizard of Oz" and ask the tough questions about this wonderful tale. They wonder if someone can possess a virtue without knowing it, and if the realm of Oz was really the dream or if Kansas was the dream. Why does water melt the Wicked Witch of the West and why does Toto seem to know what the other characters can't seem to figure out? The articles included tackle these compelling questions and more, encouraging readers to have discussions of their own.

In 1922 Charles Hartshorne, then an aspiring young philosopher, wrote to Edgar Sheffield Brightman, a preeminent philosopher of religion and one of the earliest members of the Boston School of Personalism. For twenty-three subsequent years, the two carried out an unusually rich and intensive correspondence, and, remarkably, almost every letter was preserved. They are presented here along with additional material that follows the philosophers' lives and interactions after 1945, when Brightman's ill health prevented him from continuing the correspondence. Hartshorne (1897-) has been called ""the world's greatest living metaphysician."" But when the correspondence began, he was just a graduate student, while Brightman (1884-1953) was already an influential philosopher and theologian. Over time, as Hartshorne gained prominence, the letters reveal first a relationship of equals and eventually a reversal of roles as the younger man began to influence his former mentor. Hartshorne's sustained critique of Brightman's epistemological and metaphysical position eventually led to important shifts in Brightman's views. In their introductory essays, editors Randall Auxier and Mark Davies place the correspondence in its intellectual context and address the relationship between personalism and process philosophy/theology in metaphysics, epistemology, ethics, and social philosophy. Theologians and philosophers in a wide range of specialties will welcome this record of an enduring intellectual friendship.

Metaphysical Graffiti explores the philosophical themes prevalent in the music of the classic rock era. Each chapter is a detailed study of a classic rock performer or ensemble, applying insights from philosophers ancient and modern. It will appeal to an audience that was inspired by the music of the 1960s, 1970s, and 1980s. In the words of the author, “Philosophy is in this music and it is of this music and for this music.â€� The author is an accomplished professor of philosophy and also an accomplished musician, who plays in the folk rock group, Bone Dry River Band. Among the chapters included in this book “Frenzyâ€� applies Plato and mystery religion to the Rolling Stones, “An Everlasting Kiss: The Seduction of Wendyâ€� applies Vico to Bruce Springsteen, “Warm Impermanenceâ€� applies Danto and Andy Warhol to David Bowie, “Magic Pages and Mythic Plantsâ€� applies Cassirer to Led Zeppelin, “A Touch of Grey: Gratefully Dead?â€� applies Kant and Whitehead to the Grateful Dead, “Yesterday’s Tom Sawyersâ€� applies Suzanne Langer to Rush, and “Dead Reckoning and Tacking the Winds of Fortune and Fateâ€� applies Machiavelli to Jimmy Buffett.

Known as the working man's poet, the Boardwalk prophet, or simply, the Boss. If "love is a banquet at which we feed," Bruce Springsteen has provided much food for thought. In this collection of metaphysical probes, a gang of E-street philosophers will undress Bruce's deeper mysteries like irresistible Jersey girls. Can Springsteen settle the nature-nurture debate through his song "Born to Run"? What do the famous philosopher Ricuoer and Springsteen have in common in their depiction of time? These die-hard Springsteen fans, who just happen to be philosophers, compile an entertaining handbook to the field of Springsteen studies, covering topics like Springsteen's connection to Marx and the proletariat, Springsteen's concept of the soul, and his status as a poet.

"Seventeen curious, well-tuned writers (they're fans, too) turn their philosophical attention to Tom Petty in this intellectually rigorous and wildly fun 'little box set of big ideas'. In his hits, deep cuts, and videos they find complexity, ideas, and plenty of questions-plus some answers-about the human condition. I need to know, Petty once sang. These writers are really listening." -JOE BONOMO, author of Field Recordings from the Inside (2017) and editor of Conversations with Greil Marcus (2012) "A great song has worlds inside of it. And Tom Petty wrote a lot of them. But too often we don't stop to explore, question, consider, knock on a few of the doors that appear down a great song's corridors. In this collection, some thoughtful writers have come together to show us how they did it. It stands as a testament both to the strength of Petty's songwriting and record-making and the possibilities that remain as regards writing about music." -WARREN ZANES, author of Petty: The Biography (2015) "Maybe because he simply made it all look easy, Tom Petty never received the unanimous critical glory bestowed upon more obvious geniuses. But now that his career is complete, the world is gradually awakening to what his fans have known all along: Tom was plugged directly into the original juice of rock'n'roll, injecting that authenticity into everything he ever touched. This collection of deeply thoughtful, dimensional chapters goes a long way in setting the record straight. In each, the author bears witness to the profound impact of Tom's music on our lives, and also our thoughts." -PAUL ZOLLO, author of Conversations with Tom Petty "Tom Petty would have hated this book. And that's why it's necessary-to give new context to songs and an oeuvre that defied his own explanation." -NEIL STRAUSS, contributing editor, Rolling Stone "This is a fun appraisal of Tom Petty's masterful musical works as viewed through the framework of both classical and modern philosophical theory. Tom Petty and Philosophy is recommended for both the fan and the student of rock." -NICK THOMAS, author of Tom Petty: An American Rock and Roll Story (2014) "Just as no single musical genre easily ensnares Petty's musical catalogue, this book is-thankfully-not easily pigeonholed. It spans a wide range of topics. From whether Tom Petty was a feminist to whether the album Echo displays a situation of distress in Nietzsche's sense, there's something here for all Petty fans to ruminate and debate for years to come." -CLAY CALVERT, University of Florida professor teaching "Tom Petty 101" For the first time, serious thinkers explore the work of this towering genius of rock music. For fans of Tom Petty, this volume is an eye-opener, with fourteen music-savvy philosophers looking at different facets of Petty's artistic contribution. They examine not only Tom Petty's thoughts but also the thoughts we have while we listen. The authors, all Petty fans, come from every philosophical viewpoint: classical, analytic, postmodernist, phenomenological, and Nietzschean. Tom Petty's body of work exists on a continuum between Folk and Rock, between New Wave and Americana, between Southern simplicity and West Coast chic. There is the legacy left to his main backing band, the Heartbreakers, but also bookended by Mudcrutch and his collaborations with his elders, such as Bob Dylan, George Harrison, Roy Orbison, and Johnny Cash. Tom Petty's songs hook and they captivate, but they are often profound in their understatement, their stark minimalism. His insight into the human condition conveys a powerful philosophical anthropology with a metaphysics of tragedy, gravity, and levity. Tom Petty's ethics focuses on dilemmas of the outcast, downtrodden, and heartbroken with a view to the fallen and the sinful as our redeemable antiheroes of the everyday. His political thinking is that of the artist, enlivened by Southern hostilities and Californian futilities, culminating in a personal ethic that puts duty to the fans first. Petty's theory of knowledge is psychological and interpersonal, both deeply meditative and delightfully skeptical. The dialectic of love and hate, abuse and recovery, poverty and power, triumph and loss provide the genuine objects of knowledge. Above all, Petty's songs are the confessions of a poetic mind interpreting a wounded soul. Petty lived his life the way he wrote and the way he played. It was grit, drive, and just enough finesse, to make things nice, where they need to be nice. On stage, he put the schau in Anschauung. Petty stood up to corporate assholes in a number of precedent-setting legal maneuvers and album concepts, risking his career and fortune, but never backing down. He was the center of a musical community that endured over four decades. His ability to cultivate new generations of listeners while connecting himself backward to the heroes of his own youth have made him universally respected by the widest range of music fans.